Fiction: better together than alone

Lots of requests right now for fiction recommendations for folks who need escapist or collectivist themes. For me these are more or less the same theme: when I summarise my fiction recommendations they tend to be “and this one is… another found family dealing with trauma and emerging better together than alone! Optionally with a chosen one who wishes they weren’t!”

Note that the trauma theme means that several of these contain on-page violence or recollection of it, etc.

Without further ado:

The Good Place, my only televisual recommendation: a woman dies and goes to The Good Place by mistake and begins to learn how to be a good person. And how to have friends and be a friend. Complete with moral philosophy classes. In a network comedy. And there’s a Rashomon-style episode. There’s also an episode-by-episode podcast, note that you should watch the first two seasons of the TV show before beginning the podcast. After that, they were taped at the same time.

The Goblin Emperor, by Katherine Addison: an isolated and abused teenage boy already has good instincts about how to be a good person, and they’re sorely put to the test when he unexpectedly becomes His Imperial Serenity Edrehasivar the Seventh and has to learn to navigate court politics, his absolute control over the fate of all his female relatives, being half-black (goblin) in a world of snow-white elves, suddenly having life-or-death power over his former abuser, and not knowing how to dance. This one is a pinnacle of good people finding each other in a difficult world.

The Wayward Children series, by Seanan McGuire: a series of novellas about teenagers who each found a secret door to the fairyland of their heart, dwelt there for a time, and then were cast out for various reasons, and have come together at a survivors’ boarding school to form an uneasy version of found family, the found family you have when your real found family are in a different universe. It alternates between stories set at the school, and stories set in the fairylands.

The October Daye series, by Seanan McGuire: you’ll need a more substantial runup at this one, there’s thirteen full-length novels in it, several novellas, and probably another couple of novels worth of short stories on top of that. And it’s probably a bit more than half done. Secrets and lies of the fae of the San Francisco area, as slowly revealed to the half-fae and all-grumpy protogonist, the least pleased of all Chosen Ones. The found family here is more multigenerational than many found family stories, which I appreciate: the protagonist and her closest allies are middle-aged adults, but their crew contains many teenagers and also several immortal beings.

The Simon Snow series, by Rainbow Rowell. It starts, in a way, with Fangirl, a novel about identical twin sisters in Nebraska who write fanfiction about the Simon Snow magical boarding school series that exists in their world, and how they cope with leaving home for college, loss, sex, not wanting to be a twin any more, and still wanting to be a twin. However the main two novels, Carry On, and Wayward Son, are actually set in the Simon Snow universe itself and are fanfic aesthetic with a lot of Harry Potter fic tropes: outsider Chosen One, insider aristocrat, mysterious pasts, questionably moral Dumbledore figure. And how you assemble a found family to avenge your mother.

The Hidden Histories series, by Karen Healey and Robyn Fleming. Son of a fisherman discovers on his father’s death that he’s actually the bastard son of a nobleman, moves to the big city and needs to deal with class and birth status discrimination. Yes, you know this trope, but the adults are brave and competent, the nobleman’s acknowledged daughters are also bastards (because their mother refuses to marry if it requires her to forfeit her property rights), the pirates have better sexual politics than the empire, and otherwise, this series never takes the easy way out. But it’s the formation of Team Bastard Half-Siblings (when you find your blood family?) that merits its inclusion in this list.

This Is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone: if two time warriors from opposing undying galaxy-scale factions can fall in love through letters written in the blood of their enemies and the age rings of trees, who are we to doubt that there’s love in the world? It’s a novella, and it’s excellent, you have no excuse.

Book review: The Wife Drought

My quest to be a paid book reviewer remains stalled for two reasons: first, I’ve never once asked anyone for money to do a book review, and second, this book review comes to you express, hot out of the oven, fresh from the year two thousand and fourteen.

Annabel Crabb’s The Wife Drought: Why women need wives, and men need lives is titled and marketed on the old “women need wives” joke, ie, an adult in their home to make meals and soothe fevers and type manuscripts for free.

Crabb is also a well-known Australian political journalist — the ABC’s chief online political writer — who is best-known for hosting a cooking with politicians TV show, and probably next best known for her comic writing style, eg:

Right then. The parliamentary consideration of section 18C of the Racial Discrimination Act has concluded. The nation has experienced the special thrill of watching its elected representatives fight like ferrets in a bag over a legislative clause even John Howard couldn’t get excited about, and can now dully register the fact that all this fuss has produced exactly zero changes to the clause in question.

Annabel Crabb, There is nothing free about Mark Latham’s speech, April 1 2017.

One or the other of the title’s reliance on the hackneyed complaint about women needing wives, or Crabb’s journalist persona, caused a lot of people I know to write off this book unread. The marketing runs with this too:

Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author’s work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.
Penguin Books Australia

I suggest you don’t write it off, at least not for those reasons. It’s quite a serious book, and Penguin has buried the lede: intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia. The research is central to the book: Crabb did a lot of one-on-one work with demographers to extract answers to questions that no one had answers to about gender, work, money, and career progressions in Australia. Some of the findings the book contains are in fact new findings prompted by Crabb’s questioning of demographic collaborators (who are acknowledged by name, although not as co-authors).

I found two discussions especially interesting: the way in which Australia makes part-time work fairly readily available to women with young children and the many limits of that as a solution to pay and career progression disparities between men and women; and the evidence suggesting that, contrary to the widespread perception that men are hailed as heroes by men and women alike for participating in the care of their young children, they are actually discriminated against by their workplaces when they do so.

After that Crabb’s writing style is just an added bonus to keep you going through the book. If you’re going to read a demographic exploration of gender and labour in Australia in the 2010s, it’s certainly a nice bonus that it happens to be written by Annabel Crabb of all people. Instead, the major caution I would give is that it’s very middle-class in both point of view and content, without much discussion of that limitation; and is largely focussed on women partnered with men. Assuming that the work lives of middle-class women partnered with men in Australia is of interest to you, recommended.