The storm clouds of Christmas Day weren’t quite in Mike Olbinski’s or Marko Korošec’s league, but the ongoing drought in central and eastern NSW means that these small storms on Christmas Day are most of the clouds I’ve seen in half a year:
I recently ran a “photo circle”, consisting of a small group of people sending prints of their own photographs to each other. It was a fun way to prod myself to take non-kid photos.
My four photos were:
I took Sun in the eucalypts in the late afternoon of Easter Sunday, as the sun was sinking behind the eucalypts at Centennial Park’s children’s bike track. I tried to take one with the sun shining through the trees but didn’t get the lens flare right. I like the contrast between the sunlit tree and the dark tree in this one. It feels springlike, for an autumn scene.
The other three are a very different type of weather shot, taken during Sydney’s extreme rainfall of late April and very early May:
This one has the most post-processing by far: it was originally shot in portrait and in colour. I was messing around with either fast or slow shutter speeds while it poured with rain at my house; I have a number of similar photos where spheres of water are suspended in the air. None of them quite work but I will continue to play with photographing rain with a fast shutter speed. In the meantime, the slow shutter speed here works well. I made the image monochrome in order to make the rain stand out more. In the original image the green tree and the rich brown fencing and brick rather detract from showing exactly how rainy it was.
This was shot from Gunners’ Barracks in Mosman (a historical barracks, not an active one) as a sudden rainstorm rolled over Sydney Harbour. The view was good enough, but my lens not wide enough, to see it raining on parts of the harbour and not on other parts. All the obscurity of the city skyline in this shot is due to rain, not fog.
This is the same rainstorm as the above shot; they were taken very close together. It may not be immediately obvious, but the saturation on this shot is close to maximum in order to make the colours of the ferry come up at all. I was the most worried about this shot on the camera, it was very dim. It comes up better in print than on screen, too. The obscurity is again entirely due to the rain, and results in the illusion that there is only one vessel on Sydney Harbour. Even in weather like this, that’s far from true. I felt very lucky to capture this just before the ferry vanished into the rain too.
It stormed every day for a few weeks in December, and I kept missing it: either it didn’t hit my suburb or (on more than one occasion) I was taking a nap. But I finally managed to get some photos: